interviews with book people

Pat Goldys - Writing during the pandemic

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Name: Pat Goldys
Author
Genre: Children's Books Publishing type: Self
Latest book: If Grandma Were President



I wonder how many of us started writing or decided it was time to pursue getting our work published in the midst of the pandemic. I have been writing for a long time, but it wasn’t until this past year I decided to move forward with writing and accomplishing the dream of holding my own book in my hand.

I interviewed Pat Goldys who wrote an astonishing 15 books during the pandemic. She was an educator for 39+ years as a teacher, assistant principal, and principal, but she started her writing career at 64 years old. Even after 15 books, she still has many more ideas for future children’s books.

Read our interview below as we discuss writing books during the pandemic.

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JFG: What got you started writing during the pandemic?

Pat: I have always wanted to write books. I thought I would write educational books about teaching strategies because I was a teacher and principal for many years.
But when the pandemic came, grandparents were told to stay at home. I couldn’t see my granddaughter, Mila! So sad and scary. I started telling Mila stories that started to blossom in my mind. The stories were written on my phone. Then these stories were made into children’s books once I found some great illustrators. It was such a joyful and invigorating process and I was productive and fulfilled.
The quarantine brought boredom and writing books brought enjoyment.

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JFG: Had you ever written a book prior?

Pat: I wrote all the time, journaling, letters, and poems for special occasions. When I was a principal, the teachers and I would collaborate on learning manuals, presentations, and even wrote a chapter book about restorative practices that never got published.

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JFG: What were some of the inspirations to your stories?

Pat: The quarantine, stay at home, and isolation actually gave me the time to write and write and write. My creative juices were flowing and I dove right in the deep end and learned the process of authoring a children’s book! To date, I wrote 15 books.

Mila, my granddaughter, inspired me to write about things she liked such as mermaids, fairies, birthday parties, and playing with grandma. I decided to have Grandma as a character in as many books as I could.

I expressed my ideas about current issues in my books as they were happening—the quarantine, racial unrest, jobs needed, first female vice president, community, and unity—in kid-friendly, relatable stories.

I wanted to develop stories about places where kids could visit during the quarantine so I wrote Zootiful Art, Park Prints and BFF Forever, Best Farm Friends to encourage outside adventures as a family.

I love storytelling and chose some real experiences to help children learn some valuable life lessons.
My son and I saved a dying baby dolphin which became Goldy: A Dolphin Rescue.
My friend had 3 sons like me and the middle son has Down Syndrome. The Three Brothers’ Discovery is about the normalcy of their lives, as well as the special strengths the middle son brought to the family.
I co-authored a book with a high school friend about a Signing Grandma, which incorporated sign language in the story for kids and parents to learn. We decided this will now be a series of signing stories.

I welcome and look for inspiration all around me, hoping to find meaningful topics that kids would be interested in reading.

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JFG: How has the pandemic changed the way you get your books out into the world?

Pat: My goal was to read my books in schools, libraries, and book stores. Well, that couldn’t happen. So, I went in another direction and did virtual readings, Facebook lives, reading on a tractor outside on a farm, and taping video book writing lessons for teachers to use in their remote teaching.
I went to farmers’ markets, artisan fairs, and small boutiques to expose the world to my books. It was tough and still is tough marketing the books. Social media helps but it is a challenge building an emailing list of interested readers. I continue to learn about the book writing and publishing process through webinars, online sessions, and how-to books, as well as joining groups on social media that bond writers together to learn from each other, author to author.

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JFG: Now that things are slowly going back to normal, will you continue writing?

Pat: I will never stop writing. It is in my heart and soul. It is now a part of who I am.


Find Pat on social media:

Instagram: @authorpatgoldys

Facebook: @authorpatgoldys

Twitter: @authorpatgoldys

Buy her books on Amazon.

Kimberly Hunt - Editor

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Kimberly Hunt - Revision Division

Editor

Specialty Developmental Editing of Romance

Copyediting and Beta Reading

Favorite genre: Romance

 

 As I wrote in my last interview post, it is essential to work with an editor before publishing your book so that it can be at its best for your readers. Not only is the story important, so is the text itself. It is distracting to read a book full of typos and grammatical errors and your readers might give up on your story.

I had the chance to interview Kimberly Hunt from Revision Division about copy and line editing. While developmental editing is her specialty, I was so impressed by the tips and videos on her website regarding copyediting I knew she would be the perfect person to write on this subject.

Read below to find out more about Kimberly and copyediting your manuscript.

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Jennifer Franz Griffith: Some people might say that using a program like Grammarly is enough to edit a book. Why do you think it is important that an author use a copy editor?

Kimberly: Software programs are excellent tools before hiring an editor but they are not a replacement for what a professional will find and correct. Software may help find missing punctuation or spelling errors but it often fails to recognize nuances in language and may introduce problems. Software has its place in the process, helping authors and editors find things like an extra space between words, but it won't discern meaning and intent from the context which often leads to faulty suggested corrections. 

JFG: How do you define light editing versus heavy editing? 

Kimberly: When I receive a manuscript for a potential copyediting project, I perform a sample edit in order to provide an accurate quote. I'm sure the definition varies by editor but for me, it's only light if there is one error per page or less. I time myself during the sample edit and if it takes much longer to get through 2,000 words than my typical pace, I quote that as a heavy copyedit. This is why editing costs should not be based on word count alone.

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JFG: Do you have any tips for writers about how they can edit their manuscripts first before it comes to you? 

Kimberly: Yes! I have lots of tips for self-editing to save authors money before sending their manuscript to a professional editor. My favorites suggestion is to listen to the manuscript using Microsoft Word's Read Aloud functionality. Other tips are to change the font on screen or print it out and read. Check out my previous blog post on this subject if you're interested in other cost-saving tips! https://revisiondivision.com/tips/f/self-edit-checklist---5-easy-ways-to-save-money

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JFG: What are the most common mistakes writers make?

Kimberly: Common copyediting mistakes occur around punctuation like comma placement and semicolon usage, mixing up homophones like waist and waste and the usual pronoun homophones like there/they’re/their, you’re/your, and it’s/its. Also, many writers struggle with knowing when to use lay vs. lie.

JFG: No matter how many times a piece is edited or how many eyes have looked at it, there are likely still going to be some typos after the book is published. How should a writer handle that?

Kimberly: With understanding. No software program is perfect and no human is perfect. But every pass through a manuscript should raise the quality level. Authors and editors do their best to create a high-quality product. 

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JFG: Anything else you would like to share?

Kimberly: Come check out all the great, free content on the Revision Division blog: https://revisiondivision.com/tips/f/table-of-contents?blogcategory=Table+of+Contents

Kimberly Hunt is a freelance developmental editor of fiction with Revision Division, specializing in Romance, Women’s Fiction, Mystery, Suspense, and Psychological Thrillers. She’s happy to answer questions about writing and editing but beware as she can go on at length about her passions: reading, running, and volunteering.

Kimberly can be found on most platforms. She reviews what she reads so follow her, engage in talk of a mutual love for books, and chances are she will be reading your book next.

https://revisiondivision.com

https://facebook.com/RevisionDivision/

https://Twitter.com/RevisionDiv

https://instagram.com/revisiondivkimberly

This is a sampling of the books that Kimberly has edited.

This is a sampling of the books that Kimberly has edited.

Bianca Bordianu - Book Cover Designer

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Bianca Bordianu

Book Cover Designer

Favorite genre: I love to design and read fantasy books!


This week I had the opportunity to interview Bianca Bordianu, a graphic designer specializing in book cover design. The cover of a book is a potential reader’s first impression of a book. Bianca’s beautiful designs will help you capture your audience. She is open for commissions if you are looking for an experienced professional designer to create your cover. Check out her website for details and read below for more insight on book cover design.

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Jennifer Franz Griffith: What is the job of a book cover?

Bianca: A book cover is an author's best marketing asset. It is what will capture a potential reader's attention. While the saying is "don't judge a book by its cover," that's EXACTLY what readers do. If your cover doesn't make someone want to read it, it's not doing its job!

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JFG: In your opinion, should the author's name or the title of the book be more prominent on the cover?

Bianca: This varies case by case. If you're a well-known author with a large fanbase, making your name the prominent part of the cover could be a good idea since many people will buy a book purely based on the author's past work. If you're not well-known, the title of the book should be most prominent as this will entice a potential reader!

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JFG: What book cover trends do you see for this year?

Bianca: I definitely see historical regency becoming a trend this year (thanks to the Bridgerton being a hit on Netflix!)


JFG: What is your process for designing a book cover with an author?

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Bianca: The first step is ideating. The author tells me in great detail what they would like to see on the cover, and I bring it to life! While I take the author's input, I also research their genre and market trends to ensure that their book will not only stand out as a cover, but also fit into the market.


JFG: What should an author have their cover designed by a professional instead of creating it themselves?

Bianca: If you want your book to sell, hiring a professional cover designer is imperative! Professional designers understand the anatomy of a successful book cover, market trends, printing requirements, and we have the tools to create an outstanding cover. Most authors don't want to spend months (or even years) writing a book that no one will read, so a professional book cover is key!


You can follow Bianca on social media or check out her website.

Instagram: www.instagram.com/bbordianudesign

Facebook Page: www.facebook.com/bbordianucoverdesign

Facebook Group: www.facebook.com/groups/bbordianucoverdesign

Twitter: www.twitter.com/bbordianudesign

Website: www.bbordianudesign.com